Tops and Bottoms by Janet Stevens

Harcourt Brace & Company, San Diego, 1995.
Hardcover edition, 40 pages, ISBN 0-15-292851-0.

Stevens has created a freshly minted trickster tale a la Uncle Remus contrasting a hilariously lazy bear and an extremely enterprising hare. Hare has a large family to feed, but no land to grow a garden. Bear has all sorts of land, but no inclination to work. They enter into a sloppily defined pact crafted cleverly Hare, whereby Bear will receive the top half of all produce, and Hare will take the bottom half. Hare tricks Bear by planting all root vegetables such as radishes, carrots, and beets. When the sleepy Bear realizes he has been duped, he reverses the deal, but the cunning Hare plants lettuce, broccoli and celery. The angry Bear alters the contract so that he gets tops and bottoms while Hare gets only the middles. Hare slyly plants corn.

Bear learns from these episodes to become more attentive and industrious, while Hare profits by selling the vegetables to buy property to feed his family and perpetuate his business.

The story is best for the more mature end of the preschool spectrum, due to both the length and complexity of the text. The format of the book, which appropriately opens top to bottom, is perfect for group reading.

ABC Children's Booksellers' Choice
ALA Notable Children's Book
Bill Martin, Jr. Picture Book Award
Booklist Editors' Choice
Caldecott Honor Book
Colorado Children's Book Award
Instructor Magazine's Best Picture Book of the Twentieth Century
IRA Teachers' Choice
IRA-CBC Children's Choice
Maryland Children's Book Award
National Parenting Publications Gold Award
Parents' Choice Silver Honor Book
Show Me Readers Award
SSLI Honor Book
Storytelling World Award Honor Book

The Little Red Hen (Makes a Pizza) by Philemon Sturges

Illustrated by Amy Walrod, Dutton Children's Books, New York, 1999.
Hardcover edition, 32 pages, ISBN 0-525-45953-7.

In this preferred retelling of the classic tale, the Little Red Hen graciously shares her humongous pizza with her neighbors, the duck, the dog, and the cat. Although the other animals selfishly refused to assist with all of the myriad steps in creating the giant pie, they all have a change of heart after partaking and cheerfully help with the cleanup.

Walrod's colorful collages are wonderfully textured, and humorously detailed. The dog is comically dressed in a Biscuit box complete with barcode, while the Little Red Hen's clothesline hangs with a variety of neckcloths and the bunny slippers she wears later in the story. An ice cream truck, odd boxes in the street scene, magazines, and sundried objects in the Little Red Hen's cupboard and in her shopping cart are clearly labeled as to contents, assisting with print motivation.

The primary message of kindness, and sharing in work as well as rewards, is wonderfully communicated, and appropriate for toddler and preschool storytimes.

Golden Kite Award, Picture Book, 1999

The Mitten by Jan Brett

G.P. Putnam's Sons, New York, 1989.
Hardcover edition, 32 pages, ISBN 0-399-21920-X.

Brett's signature style is simple and elegant, charmingly evocative of a northern European winter scene, in this delightful retelling of a Ukranian folktale. A lovely birchbark border with faux embroidered appliques and mitten-shaped cut-outs frames each story panel. Inside each cut-out is a small predictive scene of what the reader will discover on the following page.

Nicki begs his Baba to knit white wool mittens for him, although she warns that they will be too easily lost in the deep snowy expanses outside their cottage door. Predictably, he loses one quite quickly. A succession of increasingly larger animals looking for a cozy spot find the mitten and, one by one, squeeze themselves inside. When an enormous bear has finally strained the limits of the stretchy yarn, a tiny meadow mouse curls up on his nose. This tickles the bear into a gargantuan sneeze, which blows all of the animals out of the mitten and scatters them to the four winds. Nicki spots his mitten flying through the air and joyfully retrieves it. A last full-sized, mitten-shaped picture shows Baba looking in a quite mystified manner at the two mittens, one perfectly normal, and the other stretched into an enormous version of its original self.

Children love the repetitive nature of the addition of each new animal to the mitten, and especially enjoy the sneezy explosion, dramatically produced. Great for storytime about winter for both toddlers and preschoolers, and wonderful to explore the sidebar details on an individual basis. A rather labor-intensive craft involves coloring a giant mitten and animal cut-outs with which the children can recreate the story. The story can also be told with flannel board or puppets for a change of routine.

Narrative skills are enhanced in retelling the story with appropriate props. Toddlers develop a vocabulary of woodland animals.

ALA Booklist Magazine Best Children's Books of the 1980s
New Yorker Magazine Best Children's Books, 1989
National Teachers Association Top Ten Titles for Elementary Students, 1999
National Education Association Educators' Top One Hundred Children's Books, 2007

The Three Bears by Paul Galdone

Clarion Books, New York, 2000.
Hardcover edition, 32 pages, ISBN 978-0-395-28811-5.

This version of the classic folktale is easy to dramatize. The differences in font size beg that the narrator use different voices for describing items belonging to the baby, mama and papa bears. The book format is slightly larger so that most of the pictures can easily be enjoyed by a group, but can be a little long for the youngest attention span if not read in a vivid and striking manner. After reading, I sometimes feel compelled to ask children how they feel regarding the appropriateness of Goldilocks's behavior.

Activity: In a classroom setting, or small group, children can take turns acting out the roles of Goldilocks and the three bears with a few props.

Pig-Boy: A Trickster Tale from Hawai'i by Gerald McDermott

Houghton Mifflin Harcourt, New York, 2009.
Hardcover edition, 32 pages, ISBN 978-0152165901.
In the source notes for this tale, McDermott details the history of the mythological character from which the Pig-Boy is drawn, the oral tradition from which it sprang, and the first transcriptions and publications in the Hawaiian language in the mid to late nineteenth century. He also acknowledges the expertise of scholars who advised him in researching and re-telling the story.

I am familiar with McDermott’s previous trickster characters, Zomo the Rabbit, Coyote, and Raven, but had not yet encountered this charming, insatiable swine. Pig-Boy’s adventures unfold in the rhythms of transcribed speech, following him through hunger-driven theft of the king’s chickens, a frightening encounter with the goddess Pele near her volcano, and capture by the king’s men, all of which he manages to thwart with clever shape-changes.

Pig-Boy is portrayed in purple, which immediately sets him apart from “real” pigs, and prepares the reader for some magical doings to come. The illustrations exhibit simply-detailed foregrounds colorfully drawn against soothing green backgrounds. He is not depicted as a wise-cracking, fiendishly clever, wily villain or clown as are other trickster characters such as Anansi or Coyote. This endearing piglet begins and ends the story sweetly enfolded in his beautiful, loving, Hawaiian grandmother’s arms, making it a good introductory trickster tale for 2-3 year-olds who may as yet be unable to decipher complexities of humor or trickery.